Have a great holiday, everyone.
--Corbett
Have a great holiday, everyone.
--Corbett
I always had a great time playing with words as a kid, so I experienced fond memories of my childhood this week-end, creating a new teacher-model page in my writer's notebook. As you probably know if you follow my work, each month I challenge my Gifted & Talented students (I have quite a few this year) and all other students who may be interested in with a special GT Writer's Notebook Challenge of the Month.
My students know how to find my website, and they know where I store these monthly challenges. They also know that each month I place the "mentor text" that inspired the lesson near my desk, and they can look through the book any time. At the end of the month, students who independently have completed the challenge show it to me for extra credit points and a prize (a comic book or a smencil is what I've offered to them this year).
We were talking about anagrams earlier this month, inspired by the fact that my eighth graders are reading Rocket Boys by Homer Hickam, Jr., and that the movie version of the book is called October Sky--which is an anagram of the original title. Anyway, my kids became really excited about the notion of making anagrams for their own names and for the names of friends.
I thought anagrams might be an interesting challenge for the next writer's notebook challenge. After searching for mentor texts on the topic, I discovered a new author/cartoonist: Jon Agee. He has books on oxymorons, palindromes, and anagrams! Last week, my new mentor text on anagrams--Elvis Lives! and Other Anagrams came in the mail, and my students went crazy over it.
Saturday morning, I sat down and created a model notebook page on "Personal Anagrams" that I will be showing my students this week--prepping them to think about anagrams while they are away from school over the next few weeks. Below is the page, which I think turned out great. I also have the entire lesson write-up for this task completed, and you can access it by clicking here.
Hope you're inspired to anagram too!
--Corbett
My seventh graders have just begun work on their first big cross-curricular project for 2012. On the evening of January 18, they will be hosting a carnival for their parents, peers, and community judges. After studying how probability can be applied to population statistics in social studies, they will design science-topic-inspired carnival games that explain to participants' their probability of winning or losing each game. It will be an evening of science games with probability and prizes!
To accompany their games and set a further carnival mood, the students will also be designing cardboard cut-outs (like this one), where attendees can stick their head through a hole and be photographed as an interesting character from the Steinbeck novels we have been reading and discussing: The Pearl, The Red Pony, and Tortilla Flat.
Next week, we begin writing the character analysis essays that will inspire the cardboard character cut-outs! The "Mr. Stick Metaphor of the Week" they'll see Monday is designed to be thematic for the project that is about to unfold.
--Corbett
In September, we had discussed the story of Theseus and the 12 other Athenian youths who were sent to the labyrinth in Crete as food for the Minotaur; made some great comparisons between this myth and The Hunger Games, which many of my students had read over the summer. In the original myth, Princess Ariadne (who was actually the Minotaur's sister) sneaks Theseus a ball of twine, which helps him escape--not unlike the parachutes that fall into the arena to help Katniss.
Anyway, the metaphor of the week, which the students will see tomorrow, is an allusion back to that story. I'm finding Mr. Stick's Metaphor of the Week a great way to remind students of stories and poems we had read much earlier in the year.
I have five separate literature circles going on among my students this month and going up to winter break. All students will be writing a character analysis essay based on one dynamic and one static character from the novel they are reading in these literature circles.
This week's metaphor (which they'll see tomorrow morning) is a reminder of the terms dynamic and static characters. Enjoy!
If you're interested in the five lit circles going on with my kids right now, here they are: My sixth graders are reading Animal Farm, my eighth graders are reading Rocket Boys, and my seventh graders had the choice of a Steinbeck novel (Tortilla Flat) or two novellas (The Red Pony & The Pearl)
--Corbett
...that are going on in my classroom this November...AND I AM LOVING THE PROCESS OF ADAPTING OTHERS' IDEAS FOR MY OWN CLASSROOM. Thought I'd share, if you're interested. I plan to blog this entire experience, which will ultimately lead to a new resource page at my website (launching in February!) on how I am using and integrating a "Reading Workshop" model.
A little background on where the ideas shared below came from: While on special assignment as a full-time teacher-trainer a few years back, I helped initiate, organize, and co-teach the Northern Nevada Writing Project's 'iPods Across the Curriculum' in-service class for teachers, which asked participants to find new ways to incorporate well-written songs (from the past or the present) into authentic, skill-based writing lessons. My amazing colleague, Rob Stone, eventually became the Coordinator of our NNWP's iPod Project. Thanks to a grant, Rob was were able to give a free classroom iPod to all teachers who not only attended that course but also submitted a lesson. The very best lessons that Nevada teachers submitted became a whole new collection of free-to-access online lessons, all written by kindergarten through high school teachers. Click here to access the best teacher-built lessons that were submitted to us during the dozen or so sessions of the class offered during the 2008-2009 school-years, sponsored by our amazing Northern Nevada Writing Project, coordinated by the even-more-amazing Rob Stone.
Anyway...because I wasn't a teacher back then with my own classroom or students, I secretly felt a little frustrated when I heard Rob (and other NNWP presenters) sharing these really cool, music-inspired writing lessons, and I didn't have my own students to go back and try the lessons out on. This Fall, when I returned full-time to the classroom (because the state-run professional development agency I was working for had become terribly ineffective and a waste of taxpayer dollars), I immediately began deciding which WritingFix lessons--created by my NNWP colleagues over the years--I would use during my very first year back; there are so many great lessons posted at WritingFix now that it was a little time-consuming to do this. At the VERY top of my "Must teach these lessons in year one" list was Rob Stone's poetry lesson: "With Your Own Two Hands," which is based on a song by Ben Harper and another song by John Mayer. Click the link to overview the lesson, access all its resources, and check out the student samples that have been submitted to the lesson from teachers all over the world.
Me? I love teaching poetry, and I really go out of my way to make sure, when I present a poetry lesson, it feels (to both me and to my students) like it's an integrated part of a bigger unit/idea we are studying. It's easy to slip a poetry lesson in between larger writing or novel units--as a quick little lesson--like little palette cleansers, I suppose--but I try to not do this. I find that when you teach poetry as quick, in-between-bigger-unit lessons, the students begin to think of poetry as a separate genre that has little or nothing to do with really important thinking; I don't want my students to ever see poetry as trite when I can find ways to integrate poetic thinking into the essential ideas we are studying.
The reason I loved Rob's lesson when I first watched him present it in 2008 is that I knew I could integrate it so easily into a larger unit. Rob's theme for his lesson is just a big idea unto itself: Can a Single Person Really Change the World? Immediately, I began thinking of all the novels I love to teach that have characters who either change the world (anywhere from a personal level to global level), or that have characters who are changed by the world changes imposed by others.
Right now, I have my 6th-8th graders all reading their first assigned novels; we spent the first two months of school establishing our "Reading Workshop," and the projects (thus far) have been focused on novels the students independently chose for themselves. I had warned them that in November, February, and April, I would be assigning them the novels they would be doing reading workshop projects for, and I purposely chose novels this November that had two types of characters: 1) those who change the world; 2) those who have no interest in changing the world; and 3) those who are changed because their own worlds force that change upon them. We are almost two weeks into these novel units, and this Monday we begin listening to the two songs (Mentor texts in the form of lyrics!) that Rob uses in his "With Your Own Two Hands" lesson. As part of their projects for November's "Reading Workshop" in my class, students will all be writing two poems about changing the world: 1) one from their own voices; and 2) one in the voice of a character in the novel they have been assigned to read.
- My sixth graders are reading Orwell's Animal Farm.
- Half of my seventh graders are reading two novellas by Steinbeck: The Pearl and The Red Pony by Steinbeck; the other half are reading Steinbeck's novel, Tortilla Flat.
- My eighth graders are reading the memoir, Rocket Boys, by Homer Hickam.
I will--of course--be asking Rob for permission to post my novel-inspired adaption of his original & amazing poetry idea from WritingFix at my own website (on the "Reading Workshop" section I will be developing in 2012)...mostly, I am excited to present Rob's stellar lesson to my three-levels of kiddos next week, so that the week after Thanksgiving, I can begin presenting my adaptations of Rob's original ideas, and my kids can start seeing that poetry is a way to express a bigger idea from an important book I am having them read together.
Almost every lesson at WritingFix comes with a disclaimer that asks teachers to use (and properly cite) the lesson's big ideas but to adapt everything else. When a teacher borrows another teacher's great idea, then adapts it to fit their own teaching styles or their own units'/lessons' purposes. Teachers who adapt (rather than follow scripts found in products like "Success for All" and "Read 180" and other dreadful programs) become REAL WRITING TEACHERS. I am so proud to be back in the classroom and adapting again!
--Corbett
Again...still catching up on BLOG postings because of my wife's surgery earlier this month. While I was out with her during recuperation, my students received their report cards.
As a kid, I used to hate not knowing what grade I had earned until the day we received that piece of paper. I made sure I planned a few lessons that allowed me to call each kid up to my desk a week before grades were due from me so that my kiddos knew exactly why they received what they received as a mark. No surprises in my classroom!
As each kid talked to me, I asked, "What does this grade tell you that you need to do for the remaining nine weeks of our semester?" And when they answered, I asked, "So if that advice you just gave yourself was a 'road sign,' what would it read?" I loved the answers they gave; some very literal; others very creative.
So...this has been my metaphor of the week for this past week. I think we'll be doing some more road sign metaphors over the next few weeks to remind them to stay the course.
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| Check out all my "Mr. Stick Metaphors of the week" by clicking here. |
--Corbett
